Kassa Overall w/ Redray Frazier
Sat, Mar 02
|Hood River
“Sharing a common ancestor, jazz and hip-hop ought to be a natural fit — but nobody has ever quite made this fusion feel like theirs. Enter Kassa Overall, the soft-spoken drummer, producer and M.C., who plays a different game.” - New York Times


Time & Location
Mar 02, 2024, 6:00 PM – 9:00 PM
Hood River, 13 Railroad Street, Hood River, OR 97031, USA
Event Info
Sat. 3/2/24 at The Ruins. Doors at 5:30pm.
Tickets are $23 in advance (click here,) or $30 at the door. This will be an indoor show. Pets not allowed.
(Please note: Advance purchase tickets stop being available at Midnight the night before the show and then are only available at the door on the day-of. )
"Kassa Overall is a Grammy-nominated musician, emcee, singer, producer and drummer who melds avant-garde experimentation with hip-hop production techniques to tilt the nexus of jazz and rap in unmapped directions.
On his first two studio albums GO GET ICE CREAM AND LISTEN TO JAZZ and I THINK I’M GOOD, Kassa layered virtuosic drumming, meticulous production techniques, and incisive lyricism to establish himself as a rhythmic innovator and visionary poet, using his voice to address the injustices of the carceral system, the pharmaceutical industry, and anti-black racism, while wrangling with the perils of his own mental illness.
On ANIMALS, his Warp Records debut out May 26, Kassa pushes his kaleidoscopic, subversive vision further. He layers Roland 808s against avant-garde drumming in the vein of his mentors Elvin Jones and Billy Hart, the latter of whom he studied with at the Oberlin Conservatory of Music. Virtuoso musos appear alongside rap poets, including Danny Brown, Wiki, Lil B, and Shabazz Palaces. Top-flight jazz improvisation weaves in and out of orchestral string arrangements by Jherek Bischoff. The album’s diverse, all-star roster of collaborators includes several of his close friends, like vocalists Nick Hakim, Laura Mvula, Francis and the Lights, and jazz stars like Theo Croker and Vijay Iyer.
ANIMALS pushes Kassa’s message further too, the title a loaded metaphor for the paradoxes of his life as an entertainer and as a black man in America. ANIMALS is the sound of an artist aware of the cost of embodying one’s natural self in the public eye, a deep reckoning with the two-sided truth that to perform one’s freedom for an audience can mean succumbing to life inside a cage."