Thu, Jul 27|
Bella's Bartok w/ Alex Dunn
Doors open 5:30pm, shows start at 6pm. $3 before 7pm, $8 after...
Time & Location
Jul 27, 5:30 PM – 9:30 PM
Hood River, 13 Railroad Street, Hood River, OR 97031, USA
All Ruins Tuesdays & Thursday shows are a $3 cover if you arrive before 7pm, and $8 cover if you arrive after that. Doors open at 5:30pm. No early entry! We aren’t ready for you until 5:30pm….
The shows are all-ages until 7pm and then 21+ after.
Food vendors will be Thai House and Columbia Gorge Crepes.
Things to note:
- This year there will be no re-entry once you have paid and entered the show. We will be creating a smoking-area that will be accessible without having to leave the property.
- There is limited seating available, so if having a seat/table is important to you, we suggest arriving when the doors open at 5:30pm.
- There will be no longer be a Locals Thursday series. We’re changing Thursdays to just mirror what we do on Tuesdays, with touring, regional, and national bands. We will still have plenty of local talent gracing our stage this year in support roles.
- We still don’t allow dogs! Dogs are great, but it would be dog madness if we let them attend shows. We’d also really prefer if you didn’t leave them unattended in your vehicle.
- Outside alcohol is NOT ALLOWED! Violators will be 86’d and publicly shamed. We keep our costs absurdly low, so we see bringing in outside alcohol as an insult and amateurish behavior.
- The parking lot does NOT belong to The Ruins. Yes, the actual owners of the parking lot expect you to pay to park. It’s usually about $4. It’s not our deal. We highly encourage people to walk, ride their bikes, or carpool. This year we will have a massively larger bike rack available as well.
- Tail-gating is not allowed in the Mt Hood Railroad parking lot. They are implementing a “no open containers” policy for their entire lot. Please respect their wishes and help us to maintain a positive relationship with our community and neighbors.
- We do rent out the Grotto Bar and/or the Indoor Bar during concerts, for birthdays, business receptions, etc. Email firstname.lastname@example.org for more information.
- Ruins Tuesdays are May through August. Ruins Thursdays are June through August. For other non-Tues/Thurs concerts, please see our website at www.theruins.org/music-calendar
- We donate a portion of the admissions money to 3 different charities each year, and each Tues/Thurs show all summer we’ve invited a “Featured Non-Profit” to be at the event, to fundraise and provide info.
- Every Tuesday Concert, June through August, will have a Maker’s Market within the indoor venue. Stay tuned for more info!
"“Live your fantasy and embrace the stranger side of life with Bella’s Bartok. A band known for raucous theatrical performances and an outspoken political message of finding hope in a world beset by cruel uncertainty. With utter joy, they seamlessly blend a rich cacophony of sound and soul into their music with influences ranging from Punk to Folk and Pop to Americana. Let your freak flag fly high, fiercely and free, throw your societal inhibitions to the wayside and seek comfort in the warm sonic embrace of Bella’s Bartok. We are the night and you are bound to boogie.”
Bella’s Bartok’s newest release, Sticks and Stones, tells a story leading up to and through the Covid pandemic and the responses thus by individuals and the US government at large. The intent behind this song evolved over its lengthy writing process. The verse is the oldest part, dating melodically from late 2017 and lyrically from early 2018. It tells the tale of the dissolution of a long-standing romantic relationship, conjuring imagery of industry and failed emotional infrastructure.
Rust, rot and loss give way to the pre-chorus with the repeated call and response refrain of “We’ll work it out.” This section came about shortly before the pandemic, in November of 2019. More than a plea, the lyrics are an admonishment of despair, a reminder that hope does truly spring eternal — for both the individual and the community.
The key to this song is its chorus. Written in the deepest, darkest period of the pandemic. Rather than wallow in misery, the lyrics confront the certain doom of Covid, the loss and utterly inept response of government in trying to contain the disease. Like any good tongue-in-cheek political commentary, existential crisis can be defanged and declawed by taking the wind out of its sails. The world keeps spinning, even through the hypocrisy of those in power."